NIN -Madrid courtesy of Mentat Kibernes

Photo courtesy of Mentat Kibernes

February 9th, 2008 – Last year, I posted briefly about the Nine Inch Nails release “The Slip”. It was released for free download in a number of quality formats, and NIN encouraged the remix of those tracks. While NIN was also offering CD’s and vinyl for sale, I wondered how many fans would actually buy the physical releases when a free digital version was available. Unlike Radiohead’s experiments along the same line, it turns out a lot did.

In a presentation at the MIDEM conference by Michael Masnick of Techdirt, Trent Reznor’s business experiments are examined. I was totally surprised by the sales of his products. There were some pretty innovative ways he used to get people buying.$750,000 revenue on super limited edition versions of one album alone? That number doesn’t even include the other special editions he sold for that same album. Such a success rate for an independent is almost ludicrous.

Some critics have dismissed Trent Reznor’s tactics as unsustainable for independent artists without his reach. I would say that there isn’t a solution that works for every artist, each will have to tailor a business model to their own fanbase. The days of a one-major-label-size-fits-all business model are long over. If you have 15 or so free minutes, watch the video and cherry pick ideas for your own marketing.

Trent Reznor Case Study via Synthtopia

This entry was posted on Monday, February 9th, 2009 at 4:56 pm.
Categories: Music Business and Law.

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