Photo courtesy of Vox

November 3rd, 2008 – As someone that has been around a fair amount of gear, I would say that it takes quite a lot to excite me. Call me a luddite, but I’m not that interested in the cutting edge models that companies are spitting out at a fevered pace. In fact, I usually find that older gear has more character and is simpler to use, therefore allowing me to get the best sound out of it.

Today I stumbled across the Vox JamVox and I must say, for the first time in a while, I’m truly excited. I’m surprised I didn’t hear more about it since it won “Best In Show” at this summer’s NAMM. At a street price of around $250, you get what essentially amounts to a USB guitar interface that also has a built in speaker. But it’s not really the hardware that is the interesting part, it’s the software. Vox, in conjunction with Korg, has put together a software package that emulates amps (Vox’s specialty) and coupled it with a plethora of software guitar effects, all bundled into a very easy to use standalone guitar DAW.

That’s all fine and dandy, but what’s even more amazing is the GXT functionality. By clicking one virtual button with your mouse, you can extract the guitar lines from a song; even separate harmony lines, independently of each other. Let me explain to you why that’s so amazing. I’m sure you’ve heard of, or have even used, karaoke machines that remove the lead vocal track so you can sing along to any track you want. Those machines work by turning the entire track to mono, then using the reverse phase of frequencies in the vocal range, those that were previously centred, and playing them on top of the mono track thereby cancelling out the lead vocal. The problems with this technique are that you can only remove the lead vocal, and by chopping out the frequencies where the human voice is, you also remove frequencies other instruments are in. This makes the whole mix sound muddy and indistinct with everything sounding pretty much terrible.

The JamVox software supposedly analyzes the “stereotactic position” and “frequency band” spatially, allowing them to pull out only the guitar parts, without affecting the quality and stereo bandwidth of the rest of the mix. That may all be marketing mumbo-jumbo, but you can’t deny the end result; it sounds almost like the original track. Oh, and remember how I talked about karaoke? You can also plug a mic into the JamVox and remove vocal tracks with the same quality as the guitars. If people come to you looking for karaoke tracks to songs, you can rip out the vocal in as long as it takes to play the song, and charge 20 bucks. You’ll pay off the JamVox in no time!

Because the JamVox can remove the guitar line, it can also solo it from the rest of the mix, allowing you to learn complex guitar parts. You can listen to the guitar slowed down, or pitched up (so you can practice in your tuning). You can also change the pitch of the whole track so you don’t have to re-tune your own guitar if the song is in another key.

Along with great amp emulation, there are awesome effects. What I like about Apple’s Logic is its presets and JamVox follows in the same footsteps. You get over a hundred artist presets to get you sound so close to the original artists, you’ll be stunned; software has no right to sound that good. Watch the promo video here to see what I mean. Want the percussive and dark sound of SRV’s set up? You can get pretty darned close with just a click of a button. You can mess around with any effect pedal path, and can even save them and upload them to the JamVox user community to share. Conversely, you can download the presets of other JamVox users.

I think the JamVox could be great for small live performances where you don’t want to carry that much gear. Sure, it won’t sound as good as the real amps and pedals, but it comes pretty close and with way less baggage. The JamVox software is meant to be a standalone DAW that can record your performances, but it would be great if it would work as a plug-in to other DAW’s like ProTools or Logic. Maybe Vox will develop that functionality, who knows? All I know is that I want one, and now.

Vox via Sympatico.ca

This entry was posted on Monday, November 3rd, 2008 at 4:26 am.
Categories: Asides, Engineering, Gear.

9 Comments, Comment or Ping

  1. Darwin

    That sounds pretty hot, imma gonna have to look into this.

  2. stevo

    all the reviews and research i have seen has been excellent. of course this is assuming you keep in persoective what this is …a practice tool, and not meant to replace top line amps and effects for live work..but will be interesting to see where this evolves to..i am with you…i want one, and now!

    thanks for a very informative review

  3. @ stevo : For sure…I still haven’t had a chance to play one in person but if I had some spare cash, I’d buy one. So much gear to buy…so little cash to buy it.

  4. kdizzle

    Hey I got one!! and this thing kicks ass!!.. You could pull off some live performances with this thing. It is remarkably close to the real amps given the digital format. I work with both software and analog and this is some of the best emulating that I’ve ever heard. It’s a good practice tool but Ive already used it in recording with logic along with my boss pedals and yeah, it’s worth buying. You get over $10,000 of amps and equipment for $250. While it’s not perfect it’s pretty damn close

  5. @kdizzle : Awesome! Now I want to try one even more!

  6. ambmainman

    Where has this thing been? Its f**king amazing, Go out and get one now!
    I have been struggling for a long time to get some real tone in my guitar playing but this has done it for me, its superb! I will be selling everything else, amps, pedals, the lot.
    Im just keeping a large clean amp to boost the jamvox up a bit, dont waste your money on anything else!

  7. @ambmainman: Wow..that’s quite the praise for the JamVox. Interesting point you brought up though…I wonder why it hasn’t been more present in the media.

  8. Bob

    The software driver has issues, makes ugly noises and sometimes you need to reboot or the appliance or the PC (I use MAC, more powerful) the amps and effects are kind of ok, the mixer is basic, and GTX not much use for it, just get backing tracks and it will do the job. I use it most times with reverb always on. I also use a looper and that’s where Jam VOX doesn’t cut it at all. You can not chain external effects in with the software effect chain, therefore all effects come after the looper which off course it is a major drawback. Never mind creating loops with the player to much effort and you can only setup one, no overlay. Recording is basic and speakers are very weak. I use mine mostly with Roland headphones and this combination seems fine. The Korg tuner is very useful and accurate. In a nutshell it is an entry level tool for entry level musician, like myself, at an entry level price price which does an entry level job. I found the above review a bit over the top in particular after using JamVox for over a year now and after exploring many of its capabilities.

    Cheers

  9. @Bob: Thanks for the review…it’s great to hear reviews from users!

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